Time out for a sec (epic post content):

•July 24, 2009 • 2 Comments

I usually stay away from political arguments, but this discussion (taken with permission from member ‘Agreed’ on a music forum) merits repeating all over the place. Sit back and enjoy. The graphs are very cumbersome on WordPress, so for now, they are links.

//| So the latest buzz-word is “soaking” the rich to help pay for improved public health care. Naturally many wealthy people (and many people who will never be wealthy by any standard but who agree in principle out of some vague self-assured notion that they will one day join the ranks of the wealthy) are against the idea. Perhaps the most common sentiment is that raising the tax burden on the wealthy is unsustainable because the wealthy will simply go away; and further, businesses will leave or not be started in the first place because they won’t be willing to lose all that money.

Well, the first thing to remember is that taxation is not absolute; the top tax rate applies only to income earned over the cut-off point. Assume we had three tax brackets: 10% for $5 earned, 15% for $20 earned, and 30% for $60 earned. Someone who earned $25 would be taxed at 10% for the first $5, and then at 15% for the remaining $20. The same applies to the more sophisticated progressive tax system in the U.S.

The second thing to remember is that the majority of income earned by the top 1% of income earners (who control as much money as the bottom 50% combined) is that much of their added wealth every year comes from capital gains, which isn’t taxed at the top rate anyway; effective taxation rates for the very wealthy can be quite low, in the low to mid 20% or lower.

The third thing to remember is that the wealthy have, for the last 30 years, benefited from conservative economic policies which have systematically redistributed wealth from the lower and middle classes into the hands of the wealthy. That’s right, wealth redistribution has already occurred. I’ll expand on that, but to start things off here’s a graph of where the top tax rate has been and where it is. Of note are two facts: one, in the 1940s and 1950s the top rate was quite high, and yet America experienced excellent growth; two, the top tax rate is now at nearly its lowest value in the last hundred years and yet despite low top tax rates, businesses have been moving their operations away from America. Low top tax rates have not bought us jobs and the wealthy don’t care about an economy of fairness and justice or rewarding America for low taxation by keeping their jobs here.

http://i27.tinypic.com/xf83yq.jpg

How does that relate to wealth redistribution, you might ask? Look at the following graph for the first hint:

http://i32.tinypic.com/awt2cp.png 

That graph indicates a few things. First, running up to the 1980s and Reagan, a period in which the GDP and median family income increased more or less in step. During that period, Americans enjoyed the fruits of their prosperity, as wages improved with GDP. However, starting around 1980, GDP has increased steadily (trending steeper in its increase than before), but the middle and lower classes have seen hardly any tangible benefits from that increase. To explain that phenomenon you need to understand what has happened to our workers.

http://i29.tinypic.com/25q4orr.jpg

http://i29.tinypic.com/2nrcj5.png

The above graphs show both manufacturing productivity in terms of inflation-adjusted dollars earned for their employers over a long stretch of time, and also general worker productivity over the last fifteen years relative to wages. Notice that while productivity has risen across the board, wages have remained stagnant. This is one element of the puzzle. Following is another:

http://i31.tinypic.com/t03p0o.png

The CPI is a measurement of the costs of all goods and services to the typical consumer. Notice that right around the same time as the GDP detached in its growth from the median family income, the CPI began a very steep increase. Then, compounding the increase in CPI you have to take into account the even steeper increase in health care costs.

http://i31.tinypic.com/25q7vae.gif

And all of this has happened in a time of stagnant wages despite increases in productivity which put money in the hands of the few (remember the GDP:median family income). Speaking of GDP let’s look at how our health care expenditures as nation relate to our GDP over the past decades:

http://i32.tinypic.com/2gxpgup.gif

That’s very high, accounting for more and more of our expenditures even as the CPI grows, too; in the mean time though the lower and middle classes have contributed heavily to our growing GDP through productivity gains, again, they’re not seeing higher wages as a result, so as the costs to all of us rise there’s nothing to offset them and it just ends up being more and more of our money. For reference here’s how America ranks in terms of health care expenditures as a percentage of GDP relative to other countries, including single-payer/UHC countries:

http://i30.tinypic.com/2u44g2c.gif

Some Republicans have remarked that our health care might be expensive but that’s because it’s the best you can buy. I wish that were true, but it isn’t the case:

http://i31.tinypic.com/2aik0b4.gif
http://i26.tinypic.com/1z6qlbl.gif

So those in the lower and middle classes are seeing no returns on their vastly improved productivity and increased GDP even as consumer prices and health care costs skyrocket, and to add insult to injury for all that money (which people can barely afford, in some cases can’t afford) we’re buying lower quality health care, in terms of both absolute life expectancy and in how long we can expect to live in health. Meanwhile, the wealthy complain that they should not be tasked with helping to pay for the care because they don’t use it.

I disagree. First, their argument that if you raise taxes on the wealthy it will just kill jobs as they move off-shore and don’t maintain or start businesses is a sham argument. That has never been the case in the past, and most of their growth in wealth comes from capital gains and other instances of “making their money work for them,” a luxury they have over the working classes who have to use more and more of their income on goods and health care and which essentially makes every dollar the elite have “worth” more because of its liquidity. And second everyone who isn’t in the top 1% of income earners have seen no benefits from the conservative economic policy since Reagan; “trickle-down” economics never did trickle down, but rather consolidated power and wealth in the hands of the few while imparting no benefit to anyone else.

This graph should be considered alongside the previous two “outcomes” graphs, but there is an 11-image limit and I hit it.

http://i28.tinypic.com/2uzw76d.gif

You might object that the poor already have access to health care in the form of mandated emergency care. While that’s true in a sense, it’s a bad argument. Health care cost-related bankruptcy is distressingly common in the U.S.; in an effort to remain solvent the hospital passes on the costs of their emergency room care to everyone else, which means that we as a country are already paying for health care for everyone anyway, we’re just doing it in the dumbest, least efficient, deadliest way possible. Remember how our health care expenditures rank relative to other countries with functioning single-payer or universal health care systems, compared to how our outcomes rank.

Empirical evidence shows that outcomes in other countries with single-payer and UHC systems are better more or less across the board than here in the United States. I have made the argument in this thread that we are getting rooked by our health care system as part of a larger problem of wealth redistribution which forces the lower and middle classes to spend more and more of their stagnant wages on necessities and health care. Ultimately this system is totally unsustainable even for the elite, because as health care consumes more and more of our GDP and wages don’t rise to match, the lower and middle classes will literally become insolvent, shattering our (almost literally) breakneck productivity and crashing the whole system. Remember that our productivity gains have not been accomplished freely; we are working longer and longer hours, putting more and more stress on our workers, and working until we are much older than before, in many cases never retiring and dying while still struggling to make ends meet.

The lack of comprehensive health care for all also has a deleterious effect on the market, preventing small business from being able to compete fairly with larger established institutions that are able to use their large employee base to negotiate better deals from entrenched insurance companies; this has the net effect of making us less competitive on the world markets as well, which is going to become even more of a problem as time goes on.

Health care is quite a multifaceted thing in America, there’s no doubt about that. I am not pleased with the plans currently being considered, but I am glad the senate is taking longer on the bill; Obama’s drummed-up urgency on the issue could otherwise be an excuse to pass ineffective legislation to meet a false deadline. Even if it’s harder we should do health care right the first time.

It’s a values issue: how will we care for the least among us as well as the best? It’s a free market issue: how will we ensure competitiveness on the world stage in a world where other countries provide health care, freeing businesses from that expense? It’s an economic policy issue: we are wasting money on poorer outcomes as a nation. And finally, it’s a pragmatic issue: we are already paying for everyone’s health care, but we are doing it wastefully rather than proactively, and in a way that kills people. |\\

And, from a recent Huffington Post article:

If conservatives get to call universal health care “socialized medicine,” I get to call private health care “soulless vampires making money off human pain.” The problem with President Obama’s health care plan isn’t socialism, it’s capitalism.

1CC!

•May 15, 2009 • Leave a Comment

Springtime

•April 22, 2009 • Leave a Comment

Ahh. I’ll get back into the swing of things soon. Full time job’d. :/ Meanwhile, here are some videos that are totally suck-proof.

http://www.youtube.com/watch?v=2b3Y6-2T4FI

http://www.vimeo.com/2264687

http://www.youtube.com/watch?v=bvg5t3eIkNE

http://www.youtube.com/watch?v=OdRP3dQ9QOM

http://www.youtube.com/watch?v=1VqMh2ckyAg

NIN and Boris, in concert.

•November 21, 2008 • Leave a Comment

I don’t have any words that can convey tonight’s experience. Just get a ticket and go if you haven’t already.

Combat knives be damned.

•September 30, 2008 • Leave a Comment

There’s a great feature on the current state of the survival horror genre on Kotaku — check it out if you’re a Resident Evil/Silent Hill fan from way back when.

B.B. King – One Kind Favor

•September 2, 2008 • Leave a Comment

B.B. King – One Kind Favor (2008 )

 

 

 

 

 

 

 

Let’s get this out of the way first: Riley B. King is a god among men.

Age has a way of robbing some of the best singers of their most personal instrument. But B.B. King’s 82-year-old voice sounds the best to date on this year’s One Kind Favor. With a catalog as large as King’s, that’s a bold statement, but the 12-track disc is definitely a treat for R&B/soul blues fans.

Probably the most well known pioneer of Memphis, piano and delta blues, King struck a chord outside the realm of blues with his cover of “The Thrill is Gone” in 1969. The primary elements that made the song famous – singing guitar lines, a strong rhythm section and a voice thicker and sweeter than honey – haven’t changed in the past four decades. One Kind Favor sounds big and authentic enough that one would swear it was released in 1952, with just a touch of added studio polish.

As is the standard for most blues albums, King covers standards from his heroes T-Bone Walker and Blind Lemon Jefferson , opening with “See That My Grave is Kept Clean,” a slower bop/swing piece that showcases King’s commanding yet sultry voice and complimentary guitar. It’s almost chilling to hear the old man sing about preparing for death, but it lends a certain morbid authenticity to the tune. Did I mention that King has the best voice this side of the Mississippi (or anywhere else for that matter)?

The remaining 11 songs are a return to King’s big band blues roots, giving One Kind Favor that vintage but timeless flavor. Parts smoky ballad (T-Bone Walker’s “Waiting For Your Call,” “Tomorrow Night”) and straight-ahead blues (“The World Gone Wrong,” “Backwater Blues”), it’s a refreshing listen in a sea of overprocessed and trite pop albums.

If you’re new to the blues, you might find that some tracks sound similar to each other, so this isn’t an album to spin all at once. Instead, sample a few tunes at a time to get the feeling behind the music for best results.

One Kind Favor proves that King is still the king — it’s the best from King in the past decade, if not his career. Don’t hesitate to pick it up as a longtime blues fan or a newcomer to the genre.

Tides – Resurface

•August 31, 2008 • Leave a Comment

Tides – Resurface (2005)

If there’s any theme in the albums I’ve reviewed so far, it’s the balance of repetition and development. Resurface by post-rock/metal group Tides showcases a scant 6 tunes in just under 50 minutes, but each piece is a unique oblation to growling, low-tempo sludge that Isis, Sleep and Electric Wizard made totally awesome.

Resurface is essentially everything I wanted out of the experimental, instrumental side of Tool, but better (I’m thinking of the holy trinity of Disposition, Reflection and Triad from Lateralus, which was my first exposure to instrumental prog metal whateveryouwannacallit years ago). Man, I hate comparing a band’s sound to another’s, but I’m learning. Anyway, each song has several movements – mountains of sound rise and fall; low-tuned guitars, deep drums and rumbling bass require eviction-level volumes and a capable subwoofer.

Nonstop destruction isn’t the name of the game, though. I love the arrangement on Resurface. Starting things out right, the 12-minute “Resurface” hits hard and doesn’t let up. Honestly, I don’t think guitars were ever meant to sound this thick, but I’m perfectly fine with that. “By The Droves” takes a step back with dancing melodies and ambient drones. “Aurora” might be my favorite on the album – I’m a sucker for the snaky rhythm riffs, echoing leads and the monstrous breakdown/climax at the 5:20 mark. The shoreside sounds in the intro of the fourth track, “Sirens Fade,” give way to a tribal rhythm section. The clean, resonant layers of guitar (feedback, reverb and volume swells put to amazing effect here) evoke a serene yet dark aural landscape. Tides picks it up again with “Wash Away,” bringing back dense rhythms and intriguing progressions throughout 11 minutes – really fun to play along with.

Instrumental albums have a large void to fill. Groups with vocalists often can get away with flubs on an instrument or hide a flaw underneath vocals, but you have to stay tight if you’re all instrumental. Tides is tight. Locked down, cemented, playing as one – perfectly together. At the same time, layered instruments give Tides’ sound such an open, airy feeling, exhibited perfectly on the quieter tracks. Likewise, instrumental albums often need direction. The closer “The Other Shore” does just that – it shows you the door, says thanks and kicks ass at the same time.

Beg, borrow or steal buy this album. Listen when you’re angry, overjoyed, overworked, sexed, stoned, whatever. It’s a work of art. Just make sure you have time to devote to it. I read once that the sound of industrial droners Sunn O))) was the sound of earth being created. If that’s true, Resurface is the sound of the universe coming together.

I’m not dead.

•August 19, 2008 • Leave a Comment

Still kicking around. Finished up an internship, vacationed in Colorado, house-sat, moved crap to a new house, painted a lot of said house, got books for school, dropped a class and sold back a book, buying more books tomorrow. I feel bad for not finishing the NST feature in the last post, so I’ll really try to get crackin’ at some point. Also in the future: Tides’ Resurface.

Yang – A Complex Nature — and NST feature!

•June 18, 2008 • 1 Comment

Yang – A Complex Nature (2004)

Yang - A Complex Nature

At the risk of sounding completely pretentious, Yang is the best jazzy instrumental prog band you’ve never heard of — unless you’re 1) a big prog rock fan living in France, 2) a dedicated prog rock nerd living elsewhere or 3) you entered King Crimson into your Pandora station (guilty). Band leader and guitarist Frederic L’Epee has a lot of experience under his belt and while he gives a nod to Robert Fripp in tone and technique at times, Yang has developed a unique and thunderously engaging sound.

A Complex Nature opens with “Les Deux Mondes” (The Two Worlds) with a cyclical pattern of distorted harmonics that drive the tune throughout, joined shortly after by slow-tempo thudding drums and a neck-humbucker-with-tone-rolled-down lead that immediately calls Fripp to mind (good luck searching for those damn harmonics in standard tuning, by the way — more on that later). I have some homework to do yet on the other members of Yang, but L’Epee, much like Fripp, likes to sprinkle diminished triads throughout lead and rhythm work, making for a refreshing, fluid and jazzy approach to what could easily be a bog-standard rock solo. “Les Deux Mondes” is a heavier rock piece that opens the album up well and sets the tone for the next few tunes.

“Soulterrain” is #2, featuring twin staccato guitar rhythms dipped in reverb and a simple bassline. It’s a bit faster than “Les Deux Mondes;” it’s an exercise in syncopation and each guitar works with/against each other in true Fripp/Belew-era Crimson fashion. There’s a lot to like in this one — even a simple scalar pattern rocks in the right context and L’Epee proves it.

A bit later is “Compassion,” one of my favorites on the album, It starts out with a mellow, ringing arpeggio pattern before the lead kicks in — what sounds like a descending minor pattern, but with paced, jumping octaves. It took me by surprise at first and still remains a pretty exciting listen. Very tasty lead work. The rhythm section is incredibly solid, leaving enough room for fills without overbearing the listener. The same is true throughout the album.

I could go on and on about this album and give a play-by-play — the flamenco-y, Wes Montgomery-esque midsection of “Manchild;” the poppy “Impatience” with some odd, later-period Led Zeppeliny harmonies; the kick-ass riffage in “Le Masque Rouge;” the tour-de-force closer “Orgueil.” But this is an album to be experienced. There’s keen musicianship, there are subtle touches that recall myriad influences and there’s superb songwriting. Get it.

L’Epee was awesome enough to respond to a message I sent to him on YouTube. I inquired about some “Les Deux Mondes” theory and about his rig. Hopefully he won’t mind if I post those messages here:

Les 2 Mondes is built on different modes and played with New Standard Tuning (C-G-D-A-E-G from bass to treble).
So the piece is in C, but mainly based on a lydian with minor 7th (C-D-E (or Eb)-F#-G-A-Bb) at the begining. Sometimes back to normal C, Lydian F (still C) along with some appoggiaturas (D#)and so on. But if you don’t play it on a NST guitar, you’ll have real difficulties.

If when listening to a NST tune you recognise [the tuning], it’s most of the time because people use it the same way they use OST, with the same finger patterns. NST must be used like on a cello. I’ve really learned to play it by trying to play Bach cello suites. The other reason why you didn’t notice it on The Two Worlds is that I often write music before to play it on the guitar. If it is too low or notes are too wide apart from each other, I use NST.

I use a Les Paul Custom and an ESP “the eclipse” (ancient model) for NST.
As amplifier : Fender Twin Reverb or Blues Deluxe (or Deville)
Actually I use Blues Deluxe amp on recordings (both albums) and Twin Rev. on stage.
A Proco Rat, and Lexicon “Jam Man” for loops and delay.

All the best

Frederic

What’d I tell you? The dude’s a class act. Check out A Complex Nature and look for Machines this year. Details on Yang’s YouTube page and MySpace.

_______________________

I decided to make this a two-part feature with a little introduction to New Standard Tuning, an exciting approach to guitar tuning spearheaded by none other than Mr. Fripp. “Les Deux Mondes,” according to L’Epee, is the only tune on A Complex Nature in NST, but it’s worth exploring just to find those opening harmonics. For more on NST, check out YouTube for examples, especially the awesome Level Five (new link: Level Five) and Fripp’s League of Crafty Guitarists (damn copyright claims: League search) series in five parts.

NST for guitar is C G D A E G, or the low E -2 steps, A -1 step, D stays the same, G +1 step, B +3 steps and the high E +2 steps. It’s best to have a dedicated guitar for experimenting, but you can usually tune to NST without damaging your guitar. Get a string set with a heavy bottom gauge and a lighter top so the tension is even.

Once in NST, you’ll notice that standard chords and scale patterns obviously don’t work the same way. I’ll update this with a little exercise of some sort when I get one of my guitars in NST…UPDATE 9/31: I’m in a bit of a financial pinch, so I had to sell off all but one of my geetars. So this part will be delayed until further notice. UPDATE 7/9: Guitars are back! This section will thrive soon!

Nintendo Power, srsly

•June 2, 2008 • Leave a Comment

Those damn sexy Argentineans. They love the NES so much (as we all should) that they created a browser NES emu. For Firefox. Some 2k games right in your browser. Go. Now.

https://addons.mozilla.org/en-US/firefox/addon/7233

Third link on this site: http://www.firenes.com.ar/

If/when they do this with the SNES, it’s possible the world will collapse upon itself from the sheer gravity of awesome.